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Abstract art "Ode à la joie".

Artist painter from Quebec: Gisèle Vivier.

March 2021, Mont-St-Pierre, QC, Canada.

 

What we recommend Nathalie Brodeur, stylist in interior decoration:

 

We are here in the presence of a Japendi style decor, that is to say a very pale color, bordering on monochrome, and natural materials in the decor and furnishings.

 

In order to highlight the work, my advice would be to put it on a wall without texture because our visual is already very much in demand by the colors and the movement of it.

 

On the other hand, to make a beautiful link between the work and the rest of the decor, why not add a little dynamism and energy to the Japendi style by placing a throw and a few cushions in blue, yellow or purple.

The mix of decorative styles is your signature in your living space, so it's up to you!

 

Theme : colorful painting, colorful abstract, poetic abstract, lyrical abstract painting, contemporary painting, intuitive painting, contemporary abstract art, intuitive abstract art, textured abstract painting, textured abstract artwork.

 

Style : Abstract art.

Format original artwork : 16 x 20 inches / 40.6 x 50.8 cm.

Reproduction size: 8 x 10 inches / 20 x 25.4cm and 16 x 20 inches / 40.6 x 50.8 cm.

Technics: acrylic and pattern printing in paint.

Dominant colors : yellow, red, turquoise, blue.

 

Hanging system included :

Floating frame

 

Interpretation of the work by the artist:

This pictorial realization with contrasting colors aspires gratitude and happiness. Yellow symbolizes joy, cyan inspires serenity, magenta suggests friendship. The work is built gradually letting intuition manifest itself. An energy emerges that stimulates the pleasure of living.

Ode à la joie - Gisèle Vivier

PriceFrom C$174.00
  • The work is built as it goes along, guided by intuition. Each gesture reveals a softness, a poetic serenity. In search of beauty, harmony and balance, the artist feeds mainly on the positive energy that color provides.

*Colors may vary from one screen to another.

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